Friday, February 04, 2011

Windsong – Breath of Being (Chapter 2 – bildende Kraft)




CHAPTER
DATE

Being The Beginning Sunday January 23, 2011

Mistral

1 The Exchange Sunday January 30, 2011
2 bildende Kraft Saturday February 5, 2011
3 Gossamer Wings
4 Nemesis
5 Odd Shoes
6 al-Rûh
7 A Love Supreme
8 The Three Cornered Light
9 Serendipity
10 The Watchman
11 The Upright Way
12 Angels
13 The Cave of Montesinos

Meltimi

14 Idols
15 Nightingale
16 The Perfect Square
17 Haunting
18 The Uncontainable
19 The Ear of Malchus
20 Mauvais Pas
21 Sinan Qua Non
22 Spirit-Level

Sirocco

23 Witness
24 Alcibiades
25 Ney
26 Birdsong
27 The Vanishing Point
28 The Cat Walks
29 The Approximate Likeness of Being

Becalming Unscientific Postscript


Chapter 2
bildende Kraft

“When the song of one’s self is coming all of a piece, page after page,
an attic room and chamber pot do not insult the soul.”

Lewis Hyde
The Gift

Flanagan lights a cigarette and returns to looking at the computer screen. The notion of reflection continues to irritate him for in his dream it had sucked him in. What if, he wondered, the universe shakes when he shakes? Not in a chaotic way, but as a result of the bildende Kraft, the formative force? He had long argued with Mac that he thought that everything is a reflection of everything else, and that the whole of time and space is double-helical, reflecting the DNA of the smallest living thing, the beginning and end of themselves, the beginning and the end of all nature; galaxies linked as the nucleic-acids are linked; curved time bending as the helix bends and that the expansion and separation of the universe is a reciprocation of the expansion and separation of the helix in the smallest thing; to divide, to create, to be a template, to renew, to breathe within ourselves: reciprocation. The universe is me, I am the universe, he had argued. When I breathe, it breathes. When I shake it shakes. When I die it dies!
‘What a load of bollix,’ Mac had said.

Flanagan began to read again.

Arm-pit Diary,
January 6 – early hours:

Dear Walt,
It really sucks! I don’t feel much like remembering but perhaps writing will help. I’ve started so I’ll finish, as it were! It was only three days ago but already a lifetime since I drove back down to the city from where Séamus and I had arranged to meet. And all of the emotions and the ‘might-have-beens’ of the night… that bloody unfinished night, followed me down. They began early in the journey I have to say…and in earnest. Indeed even by the time I had reached the road exit of the laneway of the house hidden in the mountains, I already felt hedged in by the brooding silence of the May-waiting hawthorn that bordered the laneway.

I had waited there for a time, letting the engine idle and lowering the window to listen out into the darkness for oncoming traffic. Directly ahead of me, across the mountain road, the headlight beams of the jeep had disappeared over a crumbling dry-stone wall into a black hole and the nothingness of a forest of grim pine. I could feel that nothingness and other than a freezing wind that rustled through the upper branches of the trees no other sounds could be heard. Some birthday present eh! The only moment of light relief was when I remembered what Mac had said, after our New Year’s swim, when I told him, in general geographic terms, of my plans for the weekend. He had taken great pleasure in warning me to ‘Watch out for those kamikaze farmers in the mountains, the risible sons of Wicklow screaming Nora, Nora, Nora, as they negotiated bends in methane-fuelled tractors.’

Satisfied that one of the tractors was not about to ambush me I had eased the jeep forward onto the narrow road that tracked around the edge of the mountain and instantly shattered the heavy quietness of the early hour with a rattling, rolling metallic groan of the laneway’s cattle-grid. A few minutes later however I began to second-guess myself, and wondered whether I should turn around and head back to the house; to confront Séamus. To say to him what I had not said; to exchange words like body fluids, loudly, passionately. To break his balls! Being honest Walt, the sex was rough, welcome and long overdue. And yet, it was not like before, when exhausted and satisfied, I would hum, purr like a cat almost, then turn over and have him scratch my back. After only ten days absence, there seemed to be very little between us. Both of us had taken what pleasure the sex brought, but had given pleasure if only to sustain our own. There was nothing in the frenzy for me to wish for it all over again and in the silence that followed I thought about food and he of God knows what. Séamus has always exhibited a period of withdrawal from me, emotionally and physically, immediately after we have ever made love, like he wanted to run away or pretend that what had just happened never actually did happen. Probably because he is married! And he had used the C word. I don’t know why but I hate the way he grunted it out, aggressively, like he was still negotiating a mountain . . . or the way out.

Mind you Walt, from my perspective, it is generally an amusing time for it is in those moments that selfish bastards like Séamus are at their most vulnerable and most guilt laden. It is a good time for pissing them off and I could not resist. I told him I did not like him calling me a cunt, even if he was in the throes of passion. In the prolonged post-coital dysfunction that followed, to further annoy him, I asked whether he was going to leave his wife. I really did want to shatter his reality. ‘I like things the way they are,’ he had replied in a smug fashion, satisfied with his performance – and by implication, I should be as well. ‘Then I might ring F,’ I had said matter-of-factly, flicking his nipple with my finger, before continuing, ‘She probably wonders why I haven’t done so for so long.’

Walt, my apologies, but F will have to remain nameless in the Diary, for it is easier to sleep with, to fuck, the husband of an unacknowledged existence. Like the dodo or woolly mammoth there is a history, a footprint on the earth, but to all intents and purposes she has been hunted out of my existence: declared extinct. I’m sure F knows that Séamus and I are…were involved, as most women instinctively know when their man is somewhere else in his mind. The difference between us is that for her the finding of me, a feral animal, the naming of me, the proving of my continued existence, and the bringing of me out into the open for a reckoning becomes all-important. What to do about the “man” involved becomes a secondary concern. The reaction might be immediate but, for most, the determination is delayed, calculated, chewed upon, rationalised. I know this, having been there before. F does not deserve all this grief. Who does? I remember how we all had first met, Séamus and I, F and I. A conservator at the National Library generously invited me to a house party when I first arrived in Dublin so I could meet most of the other conservators in the city in a social setting. Séamus and F were already there when I arrived. He was a brooding handsome predatory presence whose sense of being completely resided in his crotch. I couldn’t keep my eyes off him and when he rang me a week later, he already knew I’d say yes. F on the other hand had always remained unspoken-of between us, a secret amongst secrets. I had teased him about making contact with F before but this time panic registered in his face. ‘Don’t you dare,’ he'd shouted, slapping my finger away, and then trying to apologize.

I had no real intention of phoning her, of course, but at that moment I wanted to hurt him. I have no call on Séamus, nor do I want his full time attention and would settle for what we had: the stolen moments, the afternoons of sex, the occasional night away. But the bastard now wanted space, now wanted his freedom from me whose only desire is freedom. It’s strange how you assume people will behave in a certain way. Tressa Hughes, my cleaning lady, told me how she once took a job working for a couple where the man was a paraplegic. ‘A walking bastard’, she’d called him – having assumed because he was paraplegic he would be pliant and grateful for her help – on account of his continual obnoxious behaviour…


Flanagan leant back from the screen and rubbed his eyes. He poured himself a malt and let it linger under his nose that he might smell the peat before drinking it. After a short time he returned to Rio’s diary. He had become an observer:


Shortly after exiting the laneway onto the mountain road and beginning the winding descent towards the city, Rio wrote how she had felt real anger welling up inside her and how she'd suddenly swung the jeep, crazily, into a small lay-by, where star lovers and star-crossed lovers often came to gaze at the night sky, and each other, free from the dazzling lights and intrusive eyes of the city far below. She'd really needed at that point some of that loving magic. Pulling up beside the boundary wall, her eyes focused eastwards to where the faint line of the dawn horizon was being rapidly smudged by dark, low-slung, snow-laden clouds that were being pushed landwards by a bitter-cold wind. She'd thought of Napoleon and Hitler being defeated by that same wind. 'Stepped on', she had written. She'd waited there for some time, engine and thoughts idling; fingers tapping against the knob of the gear stick; hesitating and every now and then her focus would drift to look back through the rear view mirror, back up the hill until finally, with an almost involuntary shake of her shoulders, she had accelerated away, down the hill, towards the city. ‘Screw him! Bastard doesn’t know what he is missing out on,’ she'd shouted out the open window. ‘Or does he?’

By the time she had reached the awakening suburban flatlands, the clouds had swept in from the sea and began to dump their load. It had continued to snow heavily throughout the remainder of her journey to the centre of the city, but Rio wrote that she had paid it only passing attention until having to stop at a traffic intersection. ‘Walk, don’t walk. Go, don’t go,’ she had whispered to the lights while waiting there, watching the sky. Suddenly, and for no other reason than she had needed to, as she had always done in times of rejection her thoughts drifted back to the exact moment in time, when as a fugitive child she first became aware of the mystical envelope of dawn snowfalls. She described in the diary how as a very young child, in her Grandpa Dawson’s lodge nestled high amongst the pines of Colorado, where even before she could see, smell or taste the new day, she could feel the new snow’s presence and sense its silence. There had been many other snow-filled dawns for Rio after that first one, when her Norwegian grandmother would come to her and together they would watch the flaking sky. Nan Greta had intuitively understood their impact on her. Normally they would say nothing but just held it other while looking out the frosted windows. On one occasion, perhaps the last occasion that she could remember, Nazn Greta spoke. ‘Fear not, child,’ she had said in deeply Eddic undertones, ‘Dawn snowfalls are important in the balance of things because they hide the movements of the spirits of the winter nights.’
‘What are spirits?’ Rio had asked.
‘Lost souls riding the wind, whispering,’ her Grandmother had replied.
‘Do you know who my father is?’ Rio had asked Nan Greta for the thousandth time, hoping to catch her out.
‘I’ve told you, child, many times. I never knew him and your Mom would never tell me his name.’
‘Does Grandpa know?’ She had asked that one time.
‘No!’ Nan Greta had shouted out, as if in pain. ‘And you are never, never to ask him! It upsets him too much.’
Rio wrote that she remembered crying and crying because her beloved Nan had shouted at her. Seeing this reaction her Grandmother had held her even closer and relented somewhat, ‘He was a musician from the islands child. Jamaica I think. He was long gone before you were born,’ she had answered, with artic dismissal.

The bastard! Making one of me, she had emboldened. Rio then wrote that she had often fantasised as to what her reaction would be if she ever met her itinerant musician father. What do you say to a child whose black skin contrasted so much with the white, white snow of the mountains, that she could never hide? She had wanted the bastard to know what pain he had caused . . . and what all of the other bastards had caused in his stead.
‘When will Mom be coming home, Nan?’, she had asked, again and again.
‘Soon child,’ her grandmother had answered, always apologetic for her missing daughter.
‘When?’ Rio had insisted.
‘When she’s stopped running away,’ Nan Greta had said sadly, listening for the spirits in the snow.

It was shortly after her sixth birthday, Rio wrote, that they had found her manic-depressive mother; the fairy godmother of good intentions; the chain-smoking, chain-fucking, chain-promising sad girl – she was only 23, thirteen years younger than Rio was now – strung-out and strung-up in Wichita Falls, of all places! Grandpa Dawson had driven to Texas to identify his daughter’s body. A mountain of strength, rock-like when he left, he had come back from Texas a crumbled man. With her first decent pay-check Rio had returned to her mother’s headstone and had inscribed on it, 'She has stopped running away.'

...‘I was never confused when you were there, Nan,’ I said aloud to the changing lights while touching the small, gold, hammer-shaped pendant that Nan gave me on her eighteenth birthday. I then had to bring my hand quickly back to the steering wheel in order to negotiate the sharp, right-hand turn at Jury’s Christchurch Inn. At the same time there was a text message on my cell-phone from Mac, reminding me to pick up croissants on my way to work –

As an aside Walt, isn’t it strange that the American terminology for a mobile phone is cell-phone with its paradoxical implication of being boxed-in, entrapped or contained. I remember once reading Discipline and Punish by Michel Foucault. He wrote of the technocratic notion – and the danger – of society being an object to be controlled and manipulated by technology but for that technology to work its supposed “transformation and improvement” on a docile population then the individual members of a society would have to be disciplined. This discipline or subjection, would only be effective if individual members are organized and enclosed by a defined space, he called the Grid. Once established, the Grid would then ensure the distribution of individuals who are to be rewarded and those who are to be disciplined. Watching television recently, I saw a documentary about a class of inner-city kids. At one point they were being asked by their teacher to explain what a box is. The answers in the beginning were reasonably normal; a packet, Miss; a square envelope, an empty brick, a place to hide in, but then began to get more and more bizarre as the options were used up until one kid at the back, fidgeting in front of the cameras, put up his hand.
‘Yes, Tommy. What do you think a box is?’ the teacher had asked.
‘It’s a place waiting for something to happen, Miss . . . really bored like.’

I agree'd with that kid. The Grid is boring. Those priests of the Technocratic Age have ensured that there are enough satellites and that soon everyone in the world will have a cell-phone and can be locked into the Grid, to be manipulated at a whim. In Ireland they are called mobiles but it is a freedom in name only, and way overpriced. God I’m tired. Must get some sleep. Séamus has already become another memory. But then, what are memories Walt? No longer ideas but idealisations, laid down one on top of another like vertebrae, until the brain’s capacity – a being’s capacity for being – for layers, is exhausted. Short-circuited thereafter at random, or sometimes deliberated dredged, memories spark to live again to affect my breathing, my heart . . . my soul.

Right now Walt, it seems all of the memories of past birthdays are being dredged up. My mother’s death near my sixth, the Thor locket given to me on my eighteenth by Nan, shortly before she also died, and yesterday’s 36th with Séamus – yet another death in the family. And then there was David . . . David Stein, the psychoanalyst I went to see at college because of surfacing memories who gave me Foucault’s Discipline and Punish for my twenty-first birthday, and then a little later his History of Sexuality. David wanted to help me, he had reassured. ‘Déclenchement,’ he had called it. ‘Use sex to release you Rio,’ he had advised me. Allowing David to lead me on, and then me him, he and I explored every possible avenue to establish our own history, to jerk the sexual-triggers, to explore the limits of the pain I could experience – and had experienced.

In the end, Walt I realised I liked my memories and fantasies to remain separate. I did not want them to become fused like the pursuit of pain and pleasure I shared with David, so similar they no longer served as reference points. In the end I stopped equating pleasure with that pain, and unwilling to submit to it any longer, found it pathetic that David was. Seven months later a midwife in Quebec advised la déclenchement italienne to get my long-overdue labour going and the words immediately triggered an apathy, a state of non-being. Where is she now, that child of my being, of David’s being, I wonder?

Enough for one night. Need some sleep before the meeting.

'Christ!', Flanagan whistled through clenched teeth. Watching you, watching me, Flanagan thinks, remembering the dream that had woken him earlier. He downs a single malt quickly and sits there until the silence in the room suddenly reverberates. Getting up he goes to the CD cabinet, searches for Van Morrison’s album Inarticulate Speech of the Heart, places it in the player and waits for the music. Soon Celtic Swing is swirling around him with its conscience of memories and then Rave on, John Donne begins and Flanagan returns to the computer. That child, that nameless child, should be told, he decides, but how? Is it his responsibility to interfere? He opens up a file containing instructions for his solicitor and adds another clause before closing it and scrolling down to the next of Rio’s entries...

Thursday, February 03, 2011

Rihla (Journey 20): Galway – Spinning Tops and Darkness

Galway Docks by Thomas Phillips
1685


Rihla (The Journey) – was the short title of a 14th Century (1355 CE) book written in Fez by the Islamic legal scholar Ibn Jazayy al-Kalbi of Granada who recorded and then transcribed the dictated travelogue of the Tangerian Ibn Battuta. The book’s full title was A Gift to Those who Contemplate the Wonders of Cities and the Marvels of Travelling and somehow the title of Ibn Jazayy's book captures the ethos of many of the city and country journeys I have been lucky to take in past years.

This rihla is about Galway, Ireland.

There is a tendency when travelling afar to sometimes overlook places closer to one’s heart. The shortest journey can often take you on the longest detour and Galway, my home for 20 years and an early medieval port-city town founded about 1124, is a city of detours which arise and impact on ones senses in the most unexpected fashion. Today was no exception. I was in the city to go to the bank but my access to the building was blocked by barred doors facilitating a security firm cash delivery service. There was a howling Atlantic gale and horizontal rain whipping up the street so to get shelter I crossed the road and into the solid sanctuary of St Nicholas Collegiate Church.

I have always liked the atmosphere inside St Nicholas, even on a day like today when it was completely empty. A Church of Ireland place of worship since the Reformation, it was founded in 1320 and a friend of mine, Pat Towers was rector here for many years. He is now sadly retired but happily younger in spirit than when he started. Pat was ordained in the Japanese Anglican Church and his sermons, which I would sometimes pop in to listen to, were always expansive, always inclusive, and always, always a worthwhile detour.

Today as I wandered around I thought I could hear him still. St Nicholas’ Church is like that though and unlike any other. Many Anglican churches with their very visible veneration of the dead of wars gone by, of lost regiments – in St Nicholas’ case it is of the Connaught Rangers – and men, are mausoleums of melancholic echoes. The echoes in St Nicholas are muted, and yet eternally hopeful; they are echoes of joy, and harmony and not of decay.

St Nicholas of Myrna, to which the church is dedicated, is the patron saint of sailors and there are churches named for him in many sea-ports around the world. Whenever I am in a Mediterranean or Nordic sea-port I have made a detour to search out and visit any church named for him. Of course he is also the patron saint of children and best appreciated by them in his Santa Claus role. And this thought was the one that echoed in my head today. I went to look at a memorial plague on the western transept wall to which I often returned. It was placed there in remembrance of James Johnson Kearney who died on the 22nd February 1837 aged 11 years. The memorial is poignant in that it states that his “death was occasioned by his Top having fallen from him and in stooping to regain it a Car rolled on him in the street.”

James Kearney's Memorial
St. Nicholas' Church, Galway

I often wondered whether the wooden spinning top had been James’ Christmas present from Santa Claus. There were no motor-cars then of course and the Car in question had to have been a horse and cart but it must have been either speeding out of control or extremely heavy to have caused his death and I have always wanted to find out more about the incident. Galway streets in 1837 were not built for speed, as is evident by the picture below of Buttermilk Lane painted by William Evans a year later, so it must have been the load and with time on my hands and the foul weather driving me indoors I ‘detoured’ for the Galway library’s newspaper archive on Goal Road.



Buttermilk Lane looking north-east
by William Evans 1838
(St Nicholas' Spire in background)

Ever helpful the library staff left me in without an appointment and set up the microfilm for the Galway Advertiser of February 25, 1837. And there it was: James, the only son of the local Customs Comptroller, a ‘fine interesting child’ according to the obituary was rolled over by a cart laden with timber while ‘playing at top’ and ‘lingered in excruciating pain’ until dying on the 22nd of February.

Lynch's Castle at junction of Shop Street (High Middle Street) and
Abbeygate Street Upper (Little Gate Street)
by WH Bartlett 1850

Obituary of James J. Kearney, aged 11 years, in
Galway Advertiser
Feb 25, 1837


The accident happened on what then was called Back-street ( now St Augustine’s Street) near the Custom House at the river end (which still exists) and the cart must have been taking timber from a ship docked at the quays at the then New Dock near the Long Walk (the current tidal protected dock in Galway did not open until 1882). It is likely that the cart would have had to call to the Custom House to declare its load and it is sad to consider that James father ( also called James) may himself have inspected and given the cart clearance just before it rolled over his son.




This is not the only industrial accident associated with the docks recorded on the walls of St Nicholas’ Church. A memorial stone to George Frederick de Carteret ( he of the Cart!) from Jersey who died aged 22 years on the 21 March 1843. His ‘lamentable death was occasioned by want of lights on the docks’ and he drowned on a ‘dark and tempestuous night.’

De Carteret Memorial 1843
St Nicholas Collegiate Church,
Galway.


That is yet another Galway detour … and for another day.


References:
http://en.wikipedia.org/wiki/St._Nicholas%27_Collegiate_Church
http://www.stnicholas.ie/history
http://www.galwaylibrary.ie/maps

Sunday, January 30, 2011

Windsong – Breath of Being (Section 1: MISTRAL Chapter 1 – The Exchange))

CHAPTER DATE

Being The Beginning Sunday January 23, 2011

Mistral

1 The Exchange Sunday January 30, 2011
2 bildende Kraft
3 Gossamer Wings
4 Nemesis
5 Odd Shoes
6 al-Rûh
7 A Love Supreme
8 The Three Cornered Light
9 Serendipity
10 The Watchman
11 The Upright Way
12 Angels
13 The Cave of Montesinos

Meltimi

14 Idols
15 Nightingale
16 The Perfect Square
17 Haunting
18 The Uncontainable
19 The Ear of Malchus
20 Mauvais Pas
21 Sinan Qua Non
22 Spirit-Level

Sirocco

23 Witness
24 Alcibiades
25 Ney
26 Birdsong
27 The Vanishing Point
28 The Cat Walks
29 The Approximate Likeness of Being

Becalming Unscientific Postscript

MISTRAL

The Mistral (It., maestrale) are the cold, northerly winds blowing down the Rhone valley
and called as such for their force. (It., maestro, master)



“Mention (Hud) one of 'Ad's (own) brethren:
Behold, he warned his people about the winding Sand-tracts:
but there have been warners before him and after him…”

The Qur’an
surat al-ahqãf (The Sand Dunes); 46, v. 21


Chapter 1
The Exchange

“The scent of these arm-pits is aroma finer than prayer,
This head is more than churches or bibles or creeds.”

Walt Whitman
Leaves of Grass



There is a gentle whirring of the disc reader, a slight pause and then the disc icon appears. Flanagan double-clicks on the icon, with difficulty, as his finger does not want to co-operate. There is a further short delay and then a contents box opens, pulses, and the screen changes to display a folder within the box. Like looking at his heart trace while on the treadmill the previous day, he realises. A sinus rhythm, the specialist had reassured, normality in the signals. There is one folder within the box: The Arm-pit Diary. Flanagan looks at the name and twitches his nose. A personal diary, like being itself, he had long ago agreed with Eco, is a multi-laned highway in which you may travel in any direction but always towards eventual dead-ends; “amorphous stuff”, eluding determination.

Thinking of determination, Flanagan wonders whether Diaries actually warrant names, like cats or dogs, or imaginary friends. What if it were his own, what would he name it? The question distracts him from proceeding any further and he stares at the screen. At the periphery he sees that the Chapman file from yesterday is still saved to the desktop and wonders why? But he knows! With all that has happened, and is yet to happen, he has exhibited a terrible urgency to tidy up his affairs and going through the old computer files, one by one, was part of that process. Chapman was one of yesterday’s tasks and should have been deleted. He must have missed it, or got tired. Flanagan doesn’t want to fall behind in his schedule and is annoyed with himself: a patterned failing. He double-clicks the Chapman file and waits.

It is an old file, from three years previously, containing reference material he had gathered to help track down a manuscript sent by Ralph Waldo Emerson in the mid-1800s to an English publisher called John Chapman. The commission, he remembers, had come his way from Justine, the wife of an extremely rich Turkish businessman; a collector of Americana – a collection which included Justine, his Kentucky-bred, Yale-educated, arm-decorating lawyer-wife. Not being his field of expertise, Flanagan had little enthusiasm for the commission, but needed the money and promised to help. Justine had pestered, and pestered him, as if finding that particular manuscript was the only thing in the world that would make her husband happy or satisfy him.

God she was beautiful, Flanagan remembers, with the perfect body, hair and smile of a collectable. ‘What a sad smile you have!’ he had observed, at their very first meeting. And a short time later, asked of her, ‘How does a collectable move beyond the avarice of the collector?’ ‘Are you any different Jaffa,’ she had replied. ‘Is not the freedom you offer an even greater cupidity?’ A fragile, beautiful woman frozen in a vacuum of emotion, Justine had transferred her fixation; offered herself in a moment of romantic fantasy and then had lain there, eyes shut, crying from the necessity of it.

Flanagan takes a deep breath. He had started, he noted looking at the first page of the file, as he always did, with an explanation of a word and coincidences, trying to give himself a focus, a purpose. Chapman: the old English for a barterer. The name, he suddenly decides, is as good as any for a diary: an exchange between the inner and outer self. He moves his finger over the mouse-pad again, closes the Chapman file and places it in the trash. He then returns to the Arm-pit file, opens it, waits and then click-adjusts the zoom, to 150 per cent enlargement. Easier on the eye, he thinks, if not on the soul. A date and time appears in a muted header at the top of the page but she has still typed the date and its title, in big block capitals. He scrolls quickly down. Only a dozen or so entries, all in January, most of them long. Not ever having kept a diary, beyond his brief notes concerning appointments, at first glance it’s not what Flanagan imagined. He had, for some reason, presumed one-line locations, perhaps two-line gossip or three-line observations, and some occasional underlined insights; all random, discontinuous, freely associated; all possibly dangerous; all possibly full of shite. But not this, he realises. “There are things that cannot be done (or said)” he remembers Eco wrote in Kant and the Platypus.

‘Or undone,’ he says aloud. What had Rio planned for this, he wonders and then wonders again as to why she had stopped so soon? Should he intrude? Did he have a right to intrude? Did Mac have the right to have forced that intrusion? His eye catches the horsehair tassels just visible through a gap in the parcel wrapping. He resists the urge to start at the last entry, and returns to the beginning:

Arm-pit Diary,
January 3:

Dear Walt,

Sorry to land you with this but every heterosexual female should have a gay man in her life with whom to have a good bitch. I’ve given you the gig!

First thoughts for the New Year: I don’t do resolutions … or guilt for that matter, but I’ll try to keep this diary, and also stick to the fitness and diet regime I started last November. Mac has called it my ‘Hot-an-trot Plan’ referring to the hot yoga and running components and my big butt. The diet, I think, I hope, is a marginal need, a few pounds here and there, but necessary for a sense of well-being. And the diary? A formula for thinking about something else… anything else, except eating!

The staff in the Library, decided that for Christmas we would all give each other book’s as presents, books that each of us as individuals thought would be appropriate for this particular time in the other person’s life. Phyllis Andrew gave me Erin Pizzy’s Food for Sluts in which food, the microwave, and even the fridge become the focus of Pizzy’s “seething rage”, her isolation, her attempts to understand, her love and loathing of food . . . perhaps even her love and loathing of life. A definite resonance in that for me! Going through a crisis? Write a cookbook! Want to provoke a crisis? Try following the instructions!

Mac gave me Walt Whitman’s, Leaves of Grass. American ‘be-longing’ he called it. Blame him for me writing to you!

Never thought about food much before, at least not in the erotic sense, but recently the new diet has precipitated a weirdly enhanced sense of smell. It doesn’t dominate – what does in my life? – but does impact intensely every now and then and is always, nearly always, linked to a sense of déjà vu. You know how you see those adds where somebody cooks an egg on a sun-baked car bonnet. Well… last night I dreamt about food being cooked by the body’s own heat, just after making love. Real food marinated in the juices of passion, eaten there and then. The dream evolved with a food exploration of the dream-lovers chest and then the small of his back, a sexual sushi counter complimented by aperitifs from the hollows his ear, by champagne bubbling from his mouth and nostrils, by wine from a cupped upturned palm, and by cognac from his puckered navel. In the dream I could smell each sensation, each vapour, each fleeting image. The orgasm was sooo intense.

Why? I wonder. I’m as fussy about the scent of cleanliness as the next person and stale sweat is the most potent antidote I know. But in those moments, those very immediate and selfish post-coital moments when all other senses are satisfied, it is my nose that cries out for more and it is in the aroma of a man’s armpit and its testosterone haze of salinity that drives me wild. I like to bury my head there, like a rutting animal, and inhale deeply, bringing me to a high, sometimes to orgasm again; a private intense orgasm, which is not for sharing.

Dearest Walt, I truly understand what you meant when you wrote, "The scent of these arm-pits is aroma finer than prayer" . . . Last time I tried keeping a diary though was 17 years ago, during those long months spent hiding out with Jack in Eleuthera; chasing by day the bonefish of Cat and chasing at night rum after rum. I wanted to be Rosita Forbes, near whose house at Unicorn Cay Jack has his: to be free in the forest of forgetfulness, roaming wild on forbidden roads to Samarkand and beyond. The diary didn’t survive the energy required for dreaming.

Went out with Mac and some of the others from the Library on New Year’s Eve. Too much to drink: me and a thousand others. Danced the night away and behaved myself . . . just. Never got to bed though. Was talked into doing a charity swim in the sea, …without a wet suit! Bloody cold and I haven’t recovered: laid low but alas, not New Year laid. And for the usual obvious reasons: Séamus’ availability.

He, the putative (s)layer, was away until yesterday skiing with his family … his wife, ‘she who shall remain nameless’, perhaps did. Prefer not to think about that. He telephoned once or twice to wish me Happy New Year from the top of some mountain or other. Said he misses me, needs me…wants to do things to me. He promised more time together in the coming year. Yeah, Yeah… I’ll believe that when it happens. Anyway going up to our secret place in the hills tomorrow to meet him. Rampant sex on the cards I hope! Delayed my period by starting another packet of the pill back-to-back in anticipation. The things we gals have to do… eh! To get our way … to fuck with abandon. Not that Séamus would even ask or wonder about that side of things… he just assumes … and resumes when he wants.

Thinking about his aroma all the time, now. . .

Flanagan looks up, wondering whether he should continue. ‘Shit,’ he says aloud, cursing Mac for forcing this intrusion, this judgement. He remembed arguing with Mac about the nature of reflective judgement, and what Eco had written about the platypus. Eco had pointed out that when the platypus was first discovered, Kant was already going senile, and that, by the time it was decided that the platypus was an egg-laying mammal, Kant had already been dead for 80 years. Eco had argued that if Kant had ever been able to venture his opinion abiut the nature of a platypus, that opinion would have been shaped by reflective judgement, and would have determined that because the platypus had bildende Kraft, a capacity to begin, it had a capacity to be. It had its own place in the scheme of things.
Just like Rio’s diary!

Flanagan’s nose twitched and he thought of Alanna in Istanbul. Oh so beautiful Alanna! She too had liked the smell of a man’s armpit after making love. “The last real smell of a modern man” she had called it. And “The last anything of modern man, who has all but lost his wild grace” she had then emphasised for his benefit. The words haunt him and he thinks of the Chapman file again. John Chapman, the physician and publisher-owner of The Westminster Review in the 1800s who was a serial collector of mistresses not to mention his association and possible affair with George Eliot – Marian Cross nee Evans – his editorial partner. Flanagan moves the mouse and opening the trash cache recovers the file and opens it. In scrolling down he sees what he calls his ‘coincidence notes’; these ones were about other men called Chapman and thinks even more highly of the use of the name for a diary of his own. He had highlighted John Chapman a.k.a. Johnny Appleseed, the nursery-man of lore exchanging seedlings for hospitality and a chance to preach. And the other John Chapman, author of Memories and Milestones, thumping with single-handed indignation – having burnt one hand so badly, in despair at striking an admirer of his future wife, it necessitated amputation – in 1912 on the anniversary of a Negro lynching in Coatesville, Pennsylvania to an audience of two. ‘Diaries are also indignant,’ he whispers.

This particular concept suddenly bothers him. Flanagan wonders how much indignation is ever needed to do what must be done. He gets up from the table, crosses the room to the CD rack. Finding what the sleeve he is looking for he extracts the disc and places it in the player. The song is haunting and he remembers yet another Chapman: Mark, the killer of John Lennon and of Double Fantasy, the album Chapman had Lennon sign for him earlier in the day, before returning in the evening to wait with a gun in his hand and a copy of J D Salinger’s The Catcher in the Rye in his pocket. He wonders about the multiplication of fantasy and sings along with his own emphasis to the song, ‘I-magine all the people . . .’

Returning to the computer Flanagan looks again at the two underlined passages, and smiles. Neither would, of course, or did, help him track down the manuscript he was after but this was his way. He remained a collector and the ‘observations’ were a brief reward on that journey. Like many more, now forgotten, they were part of what he is …was, purloined moments of insight and reflection; siphoned indulgences to his own being. And yet in the past week he had moved many of these files to the trash, exhaling that lifetime of indulgence. He then scrolls down to another entry: John Chapman, the publisher, had also kept a diary and in it he had described some of his feelings for Eliot. Two lines of that diary had caught Flanagan’s attention and he had recorded them: “I dwelt also on the incomprehensible mystery and witchery of beauty. My words jarred upon her and put an end to her enjoyment.”

Rio had reacted in that way, Flanagan thinks. ‘I “jarred” you Rio’, he says aloud. His eyes drift upwards to where her diary waits, its title and content muted on the screen’s background, and then back again to his, own words. Coincidence holds little mystery, or mystique, for him anymore, he realises. He knows is an illusionist who has suddenly lost that magic, that sense of amazement and become disillusioned. He sees where he had flagged the same Westminster Review’s savaging under Chapman’s editorship – in a display of hypocritical prudery – of the poetry of Walt Whitman’s Leaves of Grass in 1860. Chapman had declared “a naked savage has often a wild grace of movement that a civilised man can hardly possess, but certainly not display”. Alanna had demanded a wild grace, he remembers.

Flanagan puts his hand to his throat and feels along its length, wondering why there is no pain, just difficulty. In contrast to Rio and Alanna, in his dreaming, in his breathing, he is now both afraid of food and movement. But not for very much longer, he reminds himself.

Sunday, January 23, 2011

Windsong – Breath of Being (Part 1: Being the Beginning)


Being the Beginning

“A beginning has no becoming into being.”

Plato
Phædrus

“Being is not a problem for common sense (or, rather,
common sense does not see it as a problem) because it
is the condition for common sense itself.”

Umberto Eco
Kant and the Platypus

Jerome Augustine Flanagan – Jaffa to those who remembered better days – suddenly stirs. He feels… hears his breathing, inhaling and exhaling in short galloping bursts and is also quite certain he sees a horse nearby. In trying to freeze the image he forces his eyelids to open and close like a camera shutter but the horse disappears into a distant fog. He rubs his eyes, massaging them into focus. Sweat from his forehead drips into his eyes and salt-stings. He lifts his head up, then his chest and leans on one elbow. At the far end of the room, a computer sleep-light blinks, and alongside the computer a package, delivered earlier in the day, sits unblinking. He feels dreadful. Not just dreadful but also very disturbed and disorientated. The air around him is heavy with humidity and he feels suffocated by its pressure. The dream that had woken him had been all too real, too immediate.

Flanagan’s eyelids close again and in the blackness he hazily recollects the dream’s beginning: him hitch-hiking at a crossroads; being picked up by a circus truck driven by a cackling clown; arriving at a fairground attraction, a tunnel of distorting mirrors, and then slowly, ever so slowly, it dawning on him that he was watching himself and was also being watched from within his reflection by a curled-up, tadpole-eyed, ochre-veined, marble-skinned being of a thing, contained within a sac that floated around his dream like a speck in his eye. As he warped backwards and forwards in the dream the ‘thing’ inside the sac changed and distorted, acquiring and losing definition as it filled and emptied from his reflection. The light surrounding the sac pulsed bright and dim and a whooshing sound blew up and down the tunnel, making noises like somebody whispering his name. He remembers at that point stretching out to press a hand against his reflection and the sac suddenly sucking him in. And then he was the being on the inside looking out; at first there are two of him, then four, then eight . . . and then feeling the spasms start up and at their most intense sensing a pain, like pain of separation. And then there was the horse with four or five tails – a nightmare.
‘Christ!’ Flanagan says aloud, opening his eyes wide and touching his face for reassuring orientation.

He feels clammy, knows he has been sweating, and wonders if he smells of this. His clothes stick to him like membranes. The slug-ash ghost of a half-smoked Syrian Alhamraa cigarette trails across the ashtray, its filter stub guillotined to the glass table. He reaches for another. The warning label on the box says they are “harmful to the Pregnant and her Embryo.” ‘Bloody embryo,’ he murmurs, realising some of the origin of his dream’s imagery. He resists the urge and unfurling from the large sofa, looks at his watch, focusing hard on the dial. Two hours he’s been asleep, he reckons. Must have needed it, he reasons, feeling an intense urge to empty his bladder, the spasms that had woke him beginning again. Standing, he picks up the ashtray, the unfinished pizza slice, now cold, and the near empty beer bottle, now warm, and carries them with him towards the kitchen.

Some time later, his grey-flecked sandy hair wet from a needed shower and a mug of dark-roasted Java in hand, Flanagan carefully descends the small set of steps that lead down into the living room of his ground-floor apartment. He is wearing his favourite silk kimono gown over a bare chest and baggy oriental-style pyjama pants. There is a chill in the room, and he feels a sense of intrusion. He hesitates for a moment, steadying his hip against the steel handrail and tightening his grip on the mug. His eyes scan along the length of the room, past the reproduction Georgian fireplace and the tall unit made from mountain ash, which houses his stereo system and CD collection, towards the double-glazed patio door at the far end where a large, polished writing table is placed across the entrance. His eyes scan the magnolia-coloured walls, checking. The framed pictures are all in place: the original page CCLVII from the 1493 Nuremberg Chronicle showing Constantinople; a 1714 Homann map and panorama of the same city; and the drawing of an Irish fiddler caught in the full flow of his music.

Reassured somewhat, Flanagan relaxes and crosses the room to the writing table. He stands close to its edge, tapping with an agitated finger against the peach-coloured wood before searching beneath the scattered books, catalogues and layers of paper that float on the table surface like Sargasso seaweed. Finding what he is looking for he angles the remote control back over his shoulder to aim at the stereo, selects the second track and waits for the music. Infrared music – night-vision music, he thinks.

On the table in front of him, the pale-pink flowers of the house-bound orchid, cymbidium – purple-blotched invitation, yellow-velvet vulva, cobra-like tumescent hood and sticky sweet depths of it – glimmer in the moonlight, the light of the moon, the light of Jupiter’s moons under a March Gemini, looking serene and satisfied. A cadenza light, he thinks, the moonbeams bringing their own music, filtering into the room on a cool breeze that whistles softly through a half-open patio door. Beyond the door and the small garden, he hears the sound of the ocean that the apartment block overlooks. Govi’s Magellan’s Beat starts up on the CD player, quietly. He half-turns with the remote control in hand, gun-slinging it into the quietness.

On the liquid display it is 23:45, near the end of the second watch since sunset. And what a sunset it had been, he remembers, the dying embers of the day bouncing off the red wind, a dust-laden Sirocco that had brought the humidity and his dreaming. Earlier in the day he had watched the windsurfers, attracted by unseasonable warmth, appear like mayfly on the waters beyond the patio, chasing the wind. It is music to steer by, he thinks tillering up the volume: the music of the wind. Panpipes like siren squalls drift across the room and the ocean of his imagination. Then there are faint string sounds and he senses a sea-change: a pitching ship and the strains of halyard, sail and mast beating close to the wind’s direction. Then gradually, a plectrum rudder has the ship and orchestra reaching away again, sails full of a guitar’s liberation.

Flanagan sits down in front of his laptop. A slight movement of the mouse extinguishes the sleep mode. He drafts on the coffee and then lights up a cigarette, drawing deeply on it. To the right of the screen, the neatly packaged parcel lies unopened. He had immediately recognised the scratchy writing of its sender, its fragility, its anger and he felt afraid of that anger. To the left of the screen, a yellowing newspaper cutting from the Iraqi war: the image of an old man in Basra lifting a child; a child wearing a purple cardigan and green trousers; her little arm outstretched, clutching at life; her right ankle shattered, rendered of skin and sinew to abattoir bone; stripped useless, he thinks, by another type of liberation on a dog-day for the dogs-of-war. He wants to reach out to her. As if writing something would bring her back, him back, bring them all back. Exhaled smoke swirls around the computer. In his mind’s eye there’s a vortex, a black hole sucking back on the words, an anti-matter of what matters. The old man in Basra, is looking down at the face of the little girl, furrowed disbelief etched in his own. The very effort, the futility of it, drives his head into his hands and he looks at the orchid, and the picture, and the keyboard, through the cracks between fingers.

Flanagan then notices – senses – the bottle of single malt from the Isles and reaches out across the table. And the nearby glass: unwashed, he smells the peat off it. His muscles twitch. It is an effort just to lift the bottle. He remembers how his own father’s hands shook as he reached out for a bottle – the bottles that were denied to him at the end, a miserable, sad and lonely end. He pours the whiskey slowly, stiffly, and bringing it to his lips tastes the bog off it. He exhales smoke into the half filled glass and watches it settle on the surface of the amber liquid. After a moment, he leaves the glass down again and reaching for the parcel pulls it towards him. He tears away at the paper to reveal an old, calfskin-covered book, a computer disc in its case, and a folded piece of paper. He lifts the book, inspecting it. He coughs suddenly, his eyes opening wide, and stubs out the cigarette. He recognises the frayed flaps and woven horsehair tassels.
‘Jesus!’ he says aloud.
Laying down the book again he picks up the folded piece of paper. He unfolds it and reads:

Dear Jaffa,

I am sorry but I was afraid, so afraid. For Rio, for you but mostly for me. I wanted to protect us all but that is no longer possible. My struggle is over and it is a poisoned “arrow” that wings its way back to you.

The disc is Rio’s, a diary of sorts, I think. She told me about it before she . . . I thought it might help and I took it. I needed to know, wanted to understand, about you and her, her and me . . .
In the end I couldn’t read it, the possibility of hurt, hurt too much. I wish I could forgive you.

I wish I could forgive myself!
Mac

Flanagan’s hands shake so much cigarette ash from the stubbed-out cigarette fans across the table. The letter flutters to the ground beneath his feet, landing face down. He leaves it there, hiding from its accusation … and the difficulty in picking it up. He replaces the calfskin-covered book in the torn packaging and pushes it to one side. He sees a vague reflection from the screen of the laptop and remembers K’s concern regarding truth: the reflection presenting two moments of thought, objective and subjective: two alternatives to existing. Whatever way you look at it, he realises, objectively or subjectively, outwardly or inwardly, being or becoming, truth is a vanishing point. And reflection, he hopes, is just an approximation.

He lifts the computer disc case and opens its lid. Lifting the lid, Pandora’s, he suddenly thinks, he extracts the disc and inserts it into the computer drive. He then waits for its azure beginning.

Windsong – The Breath of Being: A Novel (Introduction)





“Time was when every epic had its tempest: winds
were the divinities of the Mediterranean.”

Predrag Matvejevic
Mediterranean. A Cultural Landscape.


“When lovers moan,
They’re telling our story.
Like this.
I am a sky where spirits live.
Stare into this deepening blue,
While the breeze says a secret.
Like this.”

Jelaluddin Rumi
Like This
(Tr.: Coleman Barks)

There is an opportunity, sometimes, when a writer retains the full copyright of his or her work, to revisit, to amend, to perhaps even republish. Walt Whitman was forever editing and adjusting Leaves of Grass until the point was reached where he felt he could do no more. Windsong – The Breath of Being, my fourth book, was first published by the Wynkin deWorde imprint in 2004 (ISBN: 1-904893-03-1) and although no longer available in print it retains a web life, albeit a precarious one, on Google Books. From the moment it was published I felt it could have been so much better, and the sense of a lost opportunity predominated. I have decided to revisit the book to try and edit a new version specifically for this blog …to see where that takes it and I will endeavour to release a chapter at least once a month. Comments from interested readers are welcome and I hope to reply to all.

I have outlined the chapter headings below and over time will add the blog date.

CHAPTER DATE

Being The Beginning Sunday January 23, 2011

Mistral

1 The Exchange Sunday January 30, 2011
2 bildende Kraft
3 Gossamer Wings
4 Nemesis
5 Odd Shoes
6 al-Rûh
7 A Love Supreme
8 The Three Cornered Light
9 Serendipity
10 The Watchman
11 The Upright Way
12 Angels
13 The Cave of Montesinos

Meltimi

14 Idols
15 Nightingale
16 The Perfect Square
17 Haunting
18 The Uncontainable
19 The Ear of Malchus
20 Mauvais Pas
21 Sinan Qua Non
22 Spirit-Level

Sirocco

23 Witness
24 Alcibiades
25 Ney
26 Birdsong
27 The Vanishing Point
28 The Cat Walks
29 The Approximate Likeness of Being

Becalming Unscientific Postscript

Thursday, January 20, 2011

Berlusconi & Ben Ali: Good b(d)ye to all that!

Checking Out!


September 1936 was an interesting month. The movie Swing Time starring Fred Astaire and Ginger Rogers with the song The Way You Look Tonight had just been released, Robert Capa published his infamous picture of the 'Falling Soldier' in the Spanish Civil war and Adolf Hitler was conducting a series of speeches to rouse the German ‘volk’.



Vu Magazine 23 September 1936

On the 12 September 1936 in a speech at Nuremburg, to the Labour Front, Hitler declared:

Nothing can make me change my own belief. I am convinced that the unworthiest among us is he who cannot master his ill fortune.

And so it came to pass that a new generation of self-believers were encouraged to see people as unworthy – and somehow undeserving – if fortune in terms of health, wealth, education, fate or influence eluded them.

Nine days earlier than Hitler's speech, on the 3 September 1936, Zine El Abidine Ben Ali the recently deposed dictator of Tunisia was born, and 17 days later, on the 29 September, it was to be the turn of Silvio Berlusconi.

Oh Silvio!
Frankly Angela, I don't give a damn!


Both men, apart from their obvious preoccupation with dying their hair in order to maintain a youthful illusion for their ‘unworthy’ subjects, developed an intense despotic self-belief. In Ben Ali's case this resulted in torture, exile and murder of any opposition. In Berlusconi's case a sordid descent into an orgy of deceit.


Waiting for Ben Ali

Ben Ali is thankfully gone, albeit with 1.5 tonnes of gold, to Saudi Arabia where Standard Oil announced the development of their Arabian Oil fields in September 1936 and Berlusconi will surely follow soon, with or without some brunette coloured company.

Good Dye to them.