Tuesday, May 26, 2026

THE YELLOW ROSE GARDEN

 


THE YELLOW ROSE GARDEN

Golestān-e Zard

 

 

Yellow

In the morning gloam, there is silence.

The sea fog lingers and like spectral ships

Bog cotton heads sag as moisture 

Drips.

Then out of the mist, a coloured gleam,

*ǵʰelh₃ -, a root from Badakhshan skips,

With lapis lazuli and language 

Trips.

 

Yellow

Vibrant Gorse with coconut scent

Pulling the warped boreen ajar

Above the fog a churring call

fr

Arabic root for a pale colour, a void

To whistle; an unseen nightjar

Tormentil underfoot; pure gold

aṣfar.

 

Yellow,

With descent and time the fog abates; I note

Where bird’s foot trefoil and buttercups sheath,

Meadow and creeping, and kidney vetch

Beneath. 

Along the path majestic weeds: sowthistle,

Hawksweed, dandelion and ragworth wreath

A sometime unwelcome blaze on bog myrtle’s

Heath. 

 

 

Yellow,

Here In Ériu’s wooden heart, in Beltaine summer’s light

A maypole of avens and charlock train

Black medic, and black magic

Reign.

The meandering stream through bowers of imperial Iris,

Where cowslips, pimpernel, and tutsan frame

With celandine and laburnum, a golden 

Rain.

 

 

Yellow

To the sea below a midden dance, hawkbit

Then silverweed, a rose by any other name array

Amongst the radishes and cabbage

Midday.

Where I pause, a gnomon on the landscape,

Seeking, searching, for a thruway

To the yellow rose garden of

May.

 


 

Yellow

Once in another rose garden in Iran, in Shiraz, 

I sought out Saadi’s grave; the Sufi’s rapture

Of harmony in his Gulistan, the first

Chapter.

States, humans are of one soul

And a plea that their grief is your grief, fracture

When salvation upon the seas Israeli’s

Capture.

 

 

Yellow

In Haaretz and other stolen lands

Shavuot’s first fruits are wove,

Then savoured without Ruth’s 

Love.

Moi, a pagan pilgrim; for a pen touched

Esther and Mordecai’s tomb in a Hamadan grove,

Iran where, Shavuot is Moed-e-Gol, a festival of flowers

Behove.

 

Yellow

I head home, a long way from Gaza, Lebanon and Iran,

Where there as here wild mustard blooms in grit, 

In graveyards and abandoned fields

Sunlit.

Before dusk, before the nightjar sings;

The rose garden of May, I quit

But hope that another morn brings a better

Writ.


(Galway, 26th may 2026)



Tuesday, March 03, 2026

THE 1904 GREAT GALWAY X RAYS TRIAL

 


The University of Galway kindly facilitated open access under a Creative Commons 4.0 licence for this historical article of mine, published online in the Irish Journal of Medical Science (1971- ) today.


The Link is 


Thursday, May 22, 2025

ICARUS


Early morning flights into rising sun
Blackrock Diving platform, Salthill, Galway.

There is a suspended moment Icarus,
When you leave the earth's labyrinth,
To exult; in trust with me, Daedalus.
But caution son, the waxing sun beneath
Once high, becomes a furnace
And your waning plinth.


 

Thursday, April 03, 2025

KEN BRUEN (3 January 1951 – 29 March 2025) : DEATH OF AN ENIGMA, A LEGEND, A FRIEND.

 



Ken performing a book launch for my publishing company
Wynkin de Worde in 2004

I first met Ken and his wife Phyl over 30 years ago now when working as an Obstetrician I delivered Grace, their beautiful daughter. A friendship was born (literally) with Grace the midwife. Over time the friendship evolved to take me on a journey of participation into the artistic, metaphysical and literary world that Ken inhabited, shared and encouraged. Beyond sharing his literary contacts and nous he was extraordinarily generous. On one occasion I ran into a tight squeeze when a bridging loan was delayed and he and Phyl offered to tide me over for the 3 days or so it took for the situation to be resolved without any form of collateral other than good wishes. Extraordinarily kind. And typical of them both.

In Grace I always saw the sometimes fragile child in Ken but in Ken I always saw the beauty and intelligence and strength that lay within Grace and which Ken drew upon for his own existence.




Grace and Ken

KEN had a PH.D in Metaphysics and a Master's in Life. The Ph.D awarded by Trinity College Dublin was in the branch of philosophy which examins the foundation principles of all our reality. Ken's crime writing, his character's and his own exploration of the abstractions of reality, were dark, grave (literally), brutal, pared back meanderings through the streets and alleyways of Galway and beyond.

On my bookshelf amongst his other books I have a copy of an early work Dispatching Baudelaire which I love and also a small monograph from the Mysterious Bookshop in New York where Ken has an interview with self about his lead character Jack Taylor. He says of himself in typical Bruen punctuation and cadence,

    "I confuse people, not deliberately but they read the books, thank god! (How Irish is that?), with the darkness, ferocity, brutality and then they meet me and I'm mellow, easy to be with, and they're a tad bewildered."



To Phyl and Grace my deepest condolences.

    "There floats out there
    The shape that I shall take when I am dead,
    My soul's first shape, a soft feathery shape,
    And is not that a strange shape for a soul
    Of a great fighting man?"
 
        WB Yeats "The Death of Cuchulain"

May Ken, the "great fighting man" finally rest in peace and at peace amongst the feathers.



Monday, March 31, 2025

GALWAY CAMERA CLUB EXHIBITION

 I joined Galway Camera Club last September and have enjoyed the weekly meetings where internal and external experts share their knowledge. It has been great fun. Here are some of my submissions to various club competitions over the first six months.



ROUNDSTONE

SHELL AND THE STRAWBERRY

DRUID LANE GALWAY

FOG-STILL MORNING BLACKROCK GALWAY

CAISLEAIN NA CIRCE (HEN'S CASTLE) LOUGH CORRIB

ROME: HOMAGE ROBERT DOISENEAU

SILVERSTRAND WINDSURFER

TINMEL MOSQUE, MOROCCO


WATER SHAPES AND SHADOWS

NORDHEK BEACH, SA

ROME PEOPLE

PALE FUNGHI & JACKSON POLLOCK

MOZARELLA FLOATERS

ATHENS FISHMARKET

STRIDERS

EANACH MHEÁIN (ANNAGHVAAN) PERIWINKLE FORAGER


























Friday, November 01, 2024

HIC JACET GAZAM – HERE LIES GAZA

 



HIC JACET GAZAM (accusative case)

 

Hic jacet:

Here lies,

Where there was strength, 

Hopelessness,

A redaction of history,

The rendering of an

Abrahamic race,

A pitiless erase.

 

Hinc illae lacrimae,

Where endless tears,

Are a symptom 

Of systematic,

Annihilation,

Blood lust,

Apartheid,

And Genocide.

 

Hoc est bellum

War, 

They cry out,

They celebrate.

A clarion call

To congregate

To justify, to apply

The Beit Knesset lie.

 

Hac lege,

The law,

They declare

To an assembly of 

The dead

In the Beit Lahiya dunes

And ever haunted ruins.

 

Hic jacet,

Here lies,

Amongst the sycamore figs,

Where a father digs,

With dust tears,

And fatigue of life

For a decapitated child

And much loved wife.

 

Hinc illae lacrimae

Searing tears

For the thousands

Of innocents;

And they are:

Starved of love

Of sustenance,

And of deliverance.

 

 

Homo homini lupus,

They, the eretz wolves;

Are voracious,

Sacrificing lambs to deposit,

In the timeless layers:

A knesset of bones,

A charnel house

Of endless attribution

And retribution.


Homo sum,

I am a human being,

Haunted,

Because for Gaza

I can do nothing,

Except with these words

The wolves condemn.

Words, however, for dead children,

Are a useless requiem.


Tuesday, October 22, 2024

REQUIEM FOR JJ

 


REQUIEM FOR JJ


You'll remember me when the west wind moves

Upon the fields of barley

You can tell the sun in his jealous sky

When we walked in fields of gold

When we walked in fields of gold

When we walked …..in fields …..of ……gold….

 

High, somewhere in the artic shadows of the balcony behind us the singing stopped, not abruptly but with a gradual decrescendo. The song, an unaccompanied and haunting rendition of Gordon Summer’s aka Sting’s ‘Fields of Gold’ had been sung, the memorial sheet informed me, by JJ’s niece, Amy. There followed, a trickle at first then a surge of loud applause. 

 

Gradually the clapping and the echoes ceased and quietness enveloped us again apart from a few rackety coughs escaping into the cold, still January air of the deconsecrated church. A little earlier, outside, at the end of the avenue of leafless chestnut and sycamore trees that corralled me to the former church I had noticed a ‘For Sale’ sign propped up against a headstone in the surrounding cemetery. The grave was that of a former military surgeon under British rule in India.


Inside, the first person to speak at the memorial was John Challmount, JJ's partner in a weekly podcast of political commentary. He delivered a broadsheet obituary of JJ with humour and with genuine affection. Somewhat revisionist, I thought, not recognising some aspects of JJ's depicted life. When he had finished, there was a prolonged burst of applause. Then, again, silence descended. We waited.   

 

After what seemed an age but in essence a minute or so, a tall, elegant, blonde-haired woman stood up from the front pew and after uncoiling to her full majestic height and adjusting the hem of her dress made her way, cat-like, across the silent void of the transept towards the lectern. Karen, the woman, was JJ’s partner.  Her gait was determined, her high stiletto heels tapping out a distinct beat on the unpolished stone floor. She wore a black cocktail dress that just about reached her knees, and which was tailored asymmetrically to showcase her most alluring shape, a shape I had once so lusted after and loved.

 

On reaching the lectern Karen hesitated for a moment to run her finger along the rim of an amber-coloured, antique Japanese cremation urn that sat on a low table towards the centre of the apse. Leaning against the table facing towards the audience was a large, silver framed black and white picture of a smiling JJ, his ever bright louche eyes dominating the composition. On the mount of the picture below the rugged unshaved chin were four stark lines of Palatino typeface: 

 

Jerome Joseph (JJ) Mulligan,

1964 -2024,

sub ortu solis,

RIP.

 




The old church seemed to rattle, in sympathy almost, as an increasingly bitter east wind howled through the headstones in the cemetery – a motley mixture of Celtic crosses and plain limestone and granite slabs – and gnawed at the old and warped Gothic revival windows of the building, unadorned except for plain, multiple panels of diamond-shaped stained lead glass: no attributions, no remembrances, no Great War heroes venerated. Behind me there appeared to be a constant battle to close the doors against the wind as they crashed open with the arrival of every latecomer and even when closed there remained a constant plaintive whistle through the gaps of ages.

 

Karen turned to face us. She rested her forearms on the lectern, her fingers lightly gripping the edges. Looking out over the audience she remained there, statute-still for a moment until suddenly she gently smiled, nodded her head slightly in the direction of the urn and then in a strong, steady and precise voice began,

 

“Thank you all for coming to remember JJ. As some of you know this building was one of his last magnificent projects. He had bought the old church on a whim with every intention of converting it but then ran out of both patience with the planners and money and put it back on the market again.” She paused to look around the building before continuing, “That was almost 5 years ago and as you have realised by now has not been heated for probably much longer than that.”

 

From the audience, a mixture of people wearing real and faux mink, tailored Crombie’s, worn Tayto-smelling duffle coats and designer-label, artic expedition, insulated jackets there was an outpouring of laughing agreement accompanied by real but exaggerated displays of shivering.


 Karen, who was wearing next to nothing, laughed as well but then went on,

 

“To quote Tom Cruise in the film The Last Samurai and forgive me here but JJ knew how much I loved Tom Cruise, where Algren, Cruise’s character, said about his captor and friend Katsumoto when answering the Emperor’s request to Algren to tell him how Katsumoto had died. ‘I will tell you how he lived’, Algren had replied.”

 

Karen released her grip on the lectern to push back an intruding lock of hair from her forehead,

 

“…And so, I will.”

 

I thought from where I was in the third row of benches I caught her eye but then realised she was engaging everyone and no one in the audience. She used no notes as she spoke,

 

“JJ was an insatiable addict,” she began, matter-of-factly. “An alcoholic, a gambler, an adulterer, a serial drunk and sex addict who retained no memory-of or no attachment-to the last bottle polished-off, to the last horse bet upon or to the last woman, and occasionally man, screwed…..”

 

Down the aisles there was a collective sharp intake of breath which, when I turned briefly to sneak a curious look, was then being expelled in short bursts. Like the wet-blanket warning signals of a Plains Indian you could see these exhalations rising up in small clouds of condensation through the apologetic January light that filtered into the building.  

 

Karen resumed,

 

“I am so happy that many of you are here,” she said without any hint of sarcasm or condemnation. “From early on JJ recognised that he had a choice, to be a functioning addict or a shambolic one. He chose the former and thus could navigate blindfold to the local off-license, bookies and STI clinic; each place of course keeping their own meticulous records of the excesses of being JJ. Because he could function so effectively JJ was able to sustain, firstly, an admired career in the civil service and academia and more lately as a sought-out freelance political and social commentator. Because he could function so effectively, in what must be admitted was an absolute state of denial, JJ, in addition to his bottles, betting slips and lovers, had acolytes, had students, had bosses, had friends, had some enemies, had a current driving licence, a roof over his head, any number of rescue dogs along the way and a lifelong partner…. me.”

 

The collective breathing of the audience became quieter, reflective, the sense of cold easing perhaps with individual memories of better, sun-filled days. Karen sensed this weather change and her tone became less strident and more intimate. She continued,

 

“As some of you here know, along the way I also had my dalliances. Not as a revenge for JJ’s wanderings but as a necessary distraction from the chaos that often accompanied him. Weird to say but I was seeking not an escape or alternative but more often a sense of normality for a moment in time where a shared sense of tenderness, of exploration, of adventure could be a salve, or even a salvation.” Karen’s gaze wandered over the by now fog-bound pews. “I so want to thank,” she stressed.  “Mainly on my behalf but also in truth on JJ’s behalf, those of you who facilitated and for the kindness shown to me.” 

 

From certain sections of the audience the exhalation condensations now imitated the old Flying Scotsman steaming northwards at full pelt on a Lothian track.

 

“A short life,” Karen went on. Her voice had lowered its volume making it somewhat difficult to hear. Using the app on my phone I dialled my hearing aids up a notch. Also, I thought, a slight look of an annoyance appeared to crease her otherwise timeless face. “A too short life it must be said. Far too short!” she emphasised. “Too much left undone, too much left unsaid. For those of you here who do not know JJ died from liver cancer, 5 months from diagnosis but 40 years in the making.” 

 

Karen stopped speaking for what seemed an age but then gripping the lectern very tightly, she regained herself and her purpose. “My dearest JJ, I loved you so much. But now sweetheart the shimmering is over and the gossamer threads that linked you to our reality, all reality really, are sundered and you are at peace. We all are at peace. Thank you all."


She exhaled deeply but then added,  "I’d like you to come back to the house for tea and buns and more lethal stuff to warm you up.” As she stepped away from the lectern she rested her hand on the urn once more.

 

For a moment there was an intense silence in the old church, a black hole of intensity, sucking any background and foreground noise into a vanishing point. But then a single rhythmic clap near the rear of the chapel began and awakened a loud collective surge of applause and some nervous laughs as Karen made her way back to the front pew.

 

Agitated, I stood up suddenly as I was determined to make my way to her as quickly as possible, to be the first to offer condolences. As I reached her, she appeared lost in thought. I touched her bare shoulder. She looked up but seemed discomforted somewhat, I thought, by the intrusion. An unwelcome touch perhaps, I thought.

 

“Rod,” she said kindly as she took my hand in both of hers. There was no sense of warmth. She stood up and allowed me to lean forward to kiss her cheek.  “A surprise but I am glad you are here. It also saves me a great deal of unwanted trouble tracking you down.” Her tone was not cold but pragmatic.

 

“Karen, I am so sorry,” I began then stopped short. “What do you mean?” I asked, genuinely puzzled.

 

She leant forward and whispered in my ear, “Of all our friends JJ despised you the most.” 

 

“What …. why”, I stammered, caught completely off guard by the comment.

 

She pulled back to look at me. Through a fixed smile she spoke quietly out of earshot of the people behind, “Because JJ knew that of all my “distractions” the only man I ever loved, besides him, was you. He knew that if you had asked me back then I would have gone anywhere with you and as a consequence of course, away from him. He hated you for creating that possibility,” she said bluntly. Karen held me in a direct stare as she released my hand to wipe off a smudge of her lipstick from my cheek. “But then Rod, you never asked me…did you?” she accused as she cleaned.

 

“I …I   ….” I stuttered, red faced, putty.

 

“Anyway,” she continued as she leant in again to whisper in my ear. “JJ has left specific instructions for you to dispose of, bury, enshrine his ashes in any way you see fit. His final revenge or forgiveness perhaps. In any event call up to the house tomorrow and we can sort some of the details.”

 

I could sense agitation in the queue gathering behind me. Forced coughs and shuffling brogues. I was poleaxed. 

 

Karen smiled, “I am out of here Rod. Where the departed JJ ends up is of no real concern. I was here for the living not the dead. I am now selling up, leaving to live with the most wonderful, intelligent, beautiful, unique woman I know and who incidentally, also has loads of male admirers that need tending to. So, if you don’t mind, excuse me now as I must give my attention to the other guests. I will talk to you tomorrow. Say 11am?”

 

And the Karen I once loved, brushed brusquely past me, the scent of Oud wafting behind her, not waiting for my answer. Stunned by the brutal dismissal I lingered to look at the bloody urn on its pathetic little table and the Mona Lisa-like eyes of the picture that were following me. "You bollox," I accused, him and me.

 

“Rod, how’s it going mate?” I turned to see JJ’s Australian brother-in-law Shane, father of Amy, rounding Karen and coming towards me. He had aged. “You look as happy as a bastard on Father’s Day,” he grinned.

“Hi Shane,” I managed. I found his acquired outbackness annoying. “Amy sang beautifully,” I added, truthfully.

“Did she tell you?” he asked.

“Did who tell me what,” I grumbled defensively.

“Karen of course! JJ wanted you as executor of his will.”

Taken aback I tried to hide my surprise. “What? No. Karen only mentioned that I had to find a place to bury him,” I said harshly.

“Hah! Forget that mate. She’s pulling your wire, you drongo!” he announced with glee. “Look around you Rod. This place came with a crypt, you are already standing in JJ’s mausoleum.”

 

“Fuck me dead,” I mumbled, imitating him.

 

Behind us, at the back of the church, the “For Sale” sign suddenly clattered in through the open doors, driven in by what was now a snow laden gale. In the rafters Amy began to sing again, yet another song by Sting,

 

Every breath you take

And every move you make

Every bond you break

Every step you take

I’ll be watching you……………